Friday, July 26, 2013
God talk is everywhere
God-talk. It’s everywhere. Now even in my local cafe.
Thursday, July 25, 2013
Let theory and practice kiss
The separation of theory from practice, the academy from the pulpit is, IMHO, a curse of modernity. Historically theology emerged from the church, from bishops, often in sermons. It grew out of the practice of ministry.
In recent centuries, theology has tended to shift into the university. It has been linked with words like ivory tower. It has tried to pretend in the importance of objectivity, that there is so neutral place by which an overview can be gained. It needs to be research active, supported by academic publishing. And so a dangerous set of either/ors have been set in play. Theory has been opposed to practice, academy to church, lecturers to ministers .. and so the story goes/
At Uniting College, one of our 5 strategic signposts is to promote scholarly and practical excellence in our living, teaching and writing. Is an attempt to get beyond the either/ors that divide us. We value both.
A conversation with a colleague yesterday resulted in the following advertisement being made:
Calling OT Preachers – Liz Boase would love to hear from ministers who regularly use the Old Testament in preaching and worship and would be interested in contributing to her Interpreting the Old Testament unit. Classes start Wednesday evenings in late July. If you have sermons and prayers or would like to find out more, please contact liz.boase at flinders dot edu dot au. This is an opportunity to help students make links between classroom and church.
A class, in which those who use the Bible regularly, are placed in conversation with students and with a PhD qualified. Which would be richer for student, for “practitioner” and for lecturer.
A moment, it seems to me, when theory and practice begin to kiss.
Tuesday, July 23, 2013
from spark to worship: praying the Psalms with roses on world map
Yesterday I blogged, grateful for the sparks of inspiration from a Sunday browse through Ikea. I understand creativity as a we
Today I found myself on chapel, which involves around 20 minutes of prayer. It is in the semester break here at College, so it tends to be staff, a smaller group. So here is how the spark became worship.
To give some Scriptural spine, I checked the lectionary readings and selected the Psalm (Psalm 85) for the week, which I printed so folk could read.
I was thinking about how people might want to name their prayers. I’d noticed a few days ago a stray rose still in the garden, so grabbed that on the way to work. To keep it fresh, I took it in a plastic container. Opening the lid during the morning, I was struck by the scent and realised that might be a helpful sense to engage.
With my 20 minutes I welcomed people and invited us to stand around the world map/table. We read the Psalm, verse by verse around the group, which gave voice to our prayer. I handed the rose around the group and as I hoped, people caught the scent and with a word of surprise, discovered it’s joy together.
I noted that at the heart of Christian faith is the Easter story, in which brokenness and vulnerability are so essential. I invited us to pray by handing the rose, again, around the group. We would each break of a petal and place it on the world map, naming what were praying for. We would keep doing this until the rose ran out of petals.
This happened, naturally, beautifully, for around 15 minutes. We concluded by reading again the Psalm, again around the group. And a final picture, to “capture” our prayer.
A spark – a world map. Which became worship – prayers for the world and each other. Which involved the hearing of Scripture, the smell of the rose, the touch of a petal, the visual engagement with the world and each other. And this deep sense of being in the presence of God, tender with each other and God’s world.
Creationary: a space to be creative with the lectionary (in this case, praying the Psalms). For more resources go here.
Monday, July 22, 2013
Ikea worship treats
I love wandering Ikea. (I’ve blogged about this before – Confessions: the place of Ikea in worship and teaching). I invariably, as I wander Ikea, come away with a few ideas for worship, inspired by the fusion of good design with customer sensitivity all fused with the DIY ethic
Here are yesterdays offerings after a Sunday shop:
First, a world map table. It is hard to see, because overhead lighting is reflected in the glass. But it is a world map, etched in a glass table. This has got all sorts of possibilities. For example communion table, with elements placed “for the world.” Or a prayer station, in which people post prayers for the world on the table. Or with a bit of experimentation, it might well be that some pens might be able to write on glass and be washed off. So people could write their prayers on the table.
Second, pop up stations. These are advertised in the children’s section. They are made of cardboard, so can be decorated in all sorts of way. Aesthetically, they would make a great set of stations, all identical, yet all able to be named differently.
Saturday, July 20, 2013
defining church, community, theology, formation and College
Just an advertisement for a car company. And yet –
if a picture says a 1,000 words, then this is a powerful visual question –
what type of church, community, theology, formation and College do we want to be part of?
And if so, how then should we act, what should we practice, what should we affirm?
Wednesday, July 17, 2013
Henna art as Christian storytelling
This is lovely – the use of henna in telling the Biblical story.
One of the highlights for me of a visit to Port Douglas Markets a few weeks ago was watching the folk at work in the henna tent – the young girls checking facebook while their henna tattoo dried. Their care and interaction with each other was a joy to behold.
So it was fascinating to discover this website with designs and stories.
Henna, a temporary artwork drawn on hands and other parts of the body, is a popular beauty technique in parts of Asia, Africa and the Middle East. Christian women use henna to illustrate Bible stories and share the Gospel in a non-threatening manner. These pages describe how you can host a henna party in your home or church. Learn how to make henna and draw Bible story illustrations, and how to prepare traditional foods served in henna cultures.
I could see henna art like this also working at youth group camps as a way of building community and engaging the Christian story. I could see it working at a Synod gathering, quiet hands engagement during debates. Perhaps a mission dimension, like back at Port Douglas markets, as part of a tent in which readings from the Jesus deck were offered in a tent, along with prayer massage and henna tattooing.
Friday, July 12, 2013
Biography of Leonard Cohen: holiday reading
Holiday reading has focused on Sylvie Simmons, I’m Your Man: The Life of Leonard Cohen. It’s a comprehensive (at over 500 pages), yet elegant examination of creativity and contemporary culture.
I picked it up at Auckland Airport, suddenly aware I was on holiday with only some work reading in my bag. I’ve only got one Leonard Cohen album, a variety of artists singing his songs. He’s always seemed to me a better song writer than singer.
The book, with over 100 interviews, is an illuminating insight into a very complex man. He comes across as both incredibly selfish, yet highly disciplined all at the same time.
Here is Cohen on writing- and the relationship between creativity and perfectionism and deadlines:
It’s never come easily. I’ve never been particularly confident about the process and I was never able to exactly get what I wanted…And you keep notching your standards down…Not, is it going to be beautiful, is it going to be perfect, is it going to be immortal, Can I finish?” became the urgent question.
So one of his best known songs, Hallelujah, took five years to write, with around 80 verses in the editing process. So much for creativity as inspiration!
Consider also the reflection on the impact of his time in the monastery, including how the discipline becomes so important to the creative process:
It is a popular belief that an artist or writer needs an element of disorder, misery and improvisation in order to create…But the highly structured existence, in conjunction with his desire to forget who he was and overcome his ego, appeared to free up Leonard’s creativity.
Well worth reading!
Wednesday, July 10, 2013
Faith as snorkelling
I went snorkelling the Great Barrier Reef this week. (As you do when you live in Australia!) It struck me that snorkelling does have some interesting connections to faith.
It takes a degree of trust, that a thin tube will provide oxygen, that a rogue wave won’t drown you. Related, it assumes immersion, that the only way to snorkel is to snorkel. You can theorise all you want, but at some point you have to immerse yourself in trust. Same with faith, it is a whole bodied immersion in trust.
It can make all sorts of logical sense. The guidebook explains, the guides have gone before, it is reasonable to rely on air through a tube. But despite Scripture, tradition, reason, experience is essential.
That trust is a process. Their is the first brief head plunge with your whole world consumed by survival. Am I breathing? After a while you realise you have energy to look, see, explore. Same with faith, a process by which more and more is opened up.
The result is this realisation you live at the same time in two worlds. Head up, in the pitch and roll and slap of ocean waves. Or immersed in the quiet underwater of a world of exquisite beauty and wonder.
Snorkelling and faith.
Sunday, July 07, 2013
Mission and leadership intensives
Two intensives begin at Uniting College tomorrow. Both provide a glimpse of our direction and focus.
On the Gold Coast, Craig Bailey, at the invitation of New Life Uniting, begins an intensive on leadership. It includes local folk from the church plus a number of folk from Adelaide, flying up to enjoy the input, and a warmer climate. So there will be real richness across Synods and States. In addition, this is one of four topics we are teaching this year in local churches, as part of our desire to build partnerships and connect with more folk and engage locally.
In Adelaide, Rosary Dewerse begins an intensive on mission, worship and leadership across cultures. This is her area of passion and chimes beautifully with the release of her book, Breaking Calabashes, which is an accessible introduction to the skills and practises essential to encounter across cultures. It is her PhD, made practical. It is such a crucial area for mission in Australia and its great to see both the book and the course.
Mission and leadership, partnering with local churches and across cultures. A snapshot of the College indeed.
Friday, July 05, 2013
Chaplaincy everywhere
I like the sound of Chaplaincy Everywhere. It is mentioned on a recent post on Sanctus 1, a fresh expression in the UK, in which they are placing chaplains in shopping centres.
So this is more than historic notions of chaplains as at hospital or prison. We need ways to empower people to see themselves as chaplains in their streets, communities and workplaces. It is what we worked toward at Opawa Baptist at one point, calling them community chaplains, and we appointed three into the local community.
I suspect it requires another understanding of ecclesiology, in which the local church commissions and nurtures, rather than the wider (synod).
One of our DMin students at Uniting College is exploring a theology of street chaplaincy, based on his experiences over years as a Main Street chaplain. Plus there is the fabulous chapter in Darren Cronshaws book on ministry models in Australia, including Michael Leunig as a chaplain to the culture.
All by way of saying, I wonder what a Chaplaincy Everywhere course at Uniting College would look like?
Wednesday, July 03, 2013
transition zones
I spent part of yesterday walking the Auckland Art Gallery. After an academic conference, art is exactly what I need.
I spend quite a bit of time contemplating Ralph Hotere’s Godwit/Kuaka. It was commissioned in 1977 for the Auckland airport. At over 20 metres, it is a stunning piece of work. The godwit is known for its migration patterns, flying thousands of miles, to land, exhausted, in New Zealand.
Contemplating the art gave me time to reflect on my flight patterns. First, just about to fly to Cairns for 10 days holiday with the rest of Team Taylor. Yeehaa. So a transition zone personally and as a family.
Second, having just finished being part of a conference, hosted at Laidlaw College, where I used to teach, catching up with old friends, so talking about journeys, hearing about journeys. And then spending the Tuesday and Wednesday with great friends from our Graceway-Auckland-church planting days.
Third, it was just over a year ago that I began as Principal at Uniting College. I drove to work with heart pounding, and settled into a whole new role. A year on, there is much to reflect upon, regarding the changes this role is making in me and requiring of me.
Here is the poem that sits beside the Hotere art work.
Death/exhaustion rises up
It is the rope, koakoa (the cry of the bird)
Binding you to here to me
The cry/chattering of the flockCome closer together
From inside its throat – a marauding party
A godwit
A godwit that hoversOne bird
Has settled on the sand bank
It has settled over there
It has settled over there
They have settled there
There is such fascinating interplay in this poem between distance and closeness, between here and there. It is exhausting. Yet in the exhaustion, companions are found, the here and there is blurred. Such a deep sense of community and discovery is evoked. I left the gallery glad of godwits, of art, of journeys, of migrants, of settlers, of friends, both here and there, of communities old and new, new and old.
Tuesday, July 02, 2013
born to sing: finding joy in U2’s pilgrimage
The Jesus Deck card for me today, drawn randomly from the deck, is 9, Luke. The text is “My soul magnifies the Lord.” The main character is Mary.
She is barefoot. She stands on a road, that loops, turns and seems ready to carry her forward. Her hands clutch her purple clothes close. She seems paused, ready to walk, ready to adventure.
It is a call to pilgrimage. It is pilgrimage, suffused with joy, for she us clothed so beautifully. From her head bursts stars, from her mouth bursts words that magnify. It is a wholebodied venture – feet to walk, mouth to sing, soul to respond.
It reminds me of the words from U2’s Magnificent – “I was born to sing for you” – The Falke Radio mix, from Artificial Horizon is the best, a dance mix that captures so much of the joy in the song. It’s aided by the rhythm of the beat, the regularity and pace of breathing.
I struggle with much religious music. But U2’s “I was born to sing for you” invites me to walk with Mary, to go on the journey of pilgrimage.
With joy.
Monday, July 01, 2013
Where are the theologians?
This is the one of the three stories I used to begin my conference paper at the ANZATS Christians in Communities conference.
I am here among these working-class people in this post-industrial landscape because I want to hear their stories. I take their voices seriously. This is what research in religion means, I fume, to attend to the experiences and beliefs of people in the midst of their lives, to encounter religion in its place in actual men and women’s lived experience, in the places they live and work. Where are the theologians from the seminaries on the South Side, I want to know, with all their talk of postmodernism and narrativity? When will the study of religion in the United States take an emperical and so more realistic and human direction? Robert Orsi, Between Heaven and Earth: The Religious Worlds People Make and the Scholars Who Study Them
It is used in Perspectives on Ecclesiology and Ethnography and so enabled me to engage this new series -Studies in Ecclesiology and Ethnography – from Eerdmans. The story also asks some important questions about theology. Who does it? Where should it be done? How should it be done? Who should it be for? Those questions essentially shaped the rest of the paper. I began with three examples of ecclesiology and ethnography, including one from my fresh expressions ten years research. I offered a “down under” critique, drawing on the post-colonial work of indigenous researcher, Linda Tuhiwai Smith, to argue that research should be for the community, not the researcher of the academy.
Finally, I explored how ecclesiology and ethnography could be theology, rather than simply social sciences with a theological cherry thrown on top at the end. This was, I felt, the most creative section of the paper. I returned to my initial three examples, and argued that in them was a triptych of places in which theological reflection was found – in the researcher, in the community and in the subsequent reflection. By way of example, I then pointed to two places in the second Eerdmans volume, Explorations in Ecclesiology and Ethnography which I consider intriguing illustrations, of the unintended yet potential trajectories made possible through ecclesiology and ethnography. Thus each example returned us to my initial question – Where are the theologians? Because if they are, like Robert Orsi insists, with the congregations in mission, it sets off a rich train of questions about the nature and practice of writing, teaching and formation.
Working on this paper has been about stepping back from my actual ethnographic research into fresh expressions, in order to think more carefully about the very discipline I’m part of.
Friday, June 28, 2013
5 cities in 4 climes
It was a bit of a major headturner trying to pack last night – packing for the frost of Christchurch, followed by the showers of Auckland, then the tropics of Cairns; thinking about what to wear to visit my parents, speak at a conference, lounge on a beach, attend national Uniting Church meetings.
Here’s the upcoming schedule.
- Friday 28 June – fly today from Adelaide to Christchurch. While in Sydney, I catch up with my supervisor, who will put me through me leadership paces and find some area we agree I need to grow in
- Saturday 29 June – morning with my parents in Christchurch, catching up after being away for too long!
- Sunday 30 June – presenting an academic paper – Ecclesiology and ethnography downunder – at ANZATS (Australia New Zealand Association of Theological Studies), being held this year at Laidlaw College, Auckland
- Wednesday 3 July – with the conference over, and after a Tuesday catching up with good friends, flying to Cairns for a week of family holiday
- Wednesday 10 July – fly to Brisbane, first do the theme parks on Gold Coast, then to enjoy more family time, including with extended family, on the Sunshine Coast
- Sunday 15 July – fly to Sydney, first for a one day consultation on the impact of multi-cultural identities on leadership formation, followed by annual national Ministry Education Meetings
- Wednesday 18 July – return to Adelaide
All in all, a major exercise in moving between various contexts. It also means I’m not at all sure how much blogging there will be in the next few weeks.












